paintdeath:

Anthony Tremmaglia

paintdeath:

Anthony Tremmaglia

paintdeath:

Skin by Lucy Glendinning. 
People shed their skins, and leave them crumpled and glossy on the wall.

paintdeath:

Skin by Lucy Glendinning.
People shed their skins, and leave them crumpled and glossy on the wall.

gallowhill:

Wolfgang Tillmans, Between Bridges, 1999

gallowhill:

Wolfgang Tillmans, Between Bridges, 1999

vroomheid:

Yohji Yamamoto spring / summer 2004
This Spring collection, he said, was an exercise in “doing something graphic.” That meant working squares of fabric, linked Paco Rabanne–style with metal rings, into many variations of bodices, which came attached to long, flowing skirts. The surprise was the sense of body that came through—literally. Though he stayed almost entirely with his habitual black, cutting pinafore dresses and overalls suspended from complex straps and ties, the torso beneath was naked, save for body paint, applied in chalky blocks by Shiseido. The focus was mainly on evening, save for a series of arty takes on that most American of classic looks: the white tee and jeans. Skintight gauze T-shirts, again stretched over painted torsos, were paired with baggy, low-hanging, washed-out denims, a cross-bred version of hip-hop pants and Japanese workwear. The one shot of color in the show arrived in the footwear: chunky foam platform flip-flops—some attached to toeless, heel-less neoprene socks—in bright red, leaf green, turquoise, and yellow, that came over as a sporty take on Japanese geta.

vroomheid:

Yohji Yamamoto spring / summer 2004

This Spring collection, he said, was an exercise in “doing something graphic.” That meant working squares of fabric, linked Paco Rabanne–style with metal rings, into many variations of bodices, which came attached to long, flowing skirts. The surprise was the sense of body that came through—literally. Though he stayed almost entirely with his habitual black, cutting pinafore dresses and overalls suspended from complex straps and ties, the torso beneath was naked, save for body paint, applied in chalky blocks by Shiseido. The focus was mainly on evening, save for a series of arty takes on that most American of classic looks: the white tee and jeans. Skintight gauze T-shirts, again stretched over painted torsos, were paired with baggy, low-hanging, washed-out denims, a cross-bred version of hip-hop pants and Japanese workwear. The one shot of color in the show arrived in the footwear: chunky foam platform flip-flops—some attached to toeless, heel-less neoprene socks—in bright red, leaf green, turquoise, and yellow, that came over as a sporty take on Japanese geta.

feministcaptainkirk:

vintagegal:

Gordon Parks - Black Muslim Protest, 1963 (via)

This was 51 years ago. Has anything really changed?

feministcaptainkirk:

vintagegal:

Gordon Parks - Black Muslim Protest, 1963 (via)

This was 51 years ago. Has anything really changed?


Ines Duvale SS15

Ines Duvale SS15

richmondcee:

70% of me is water and the other 10% is swag 

boyirl:

Violette Esmeralda

boyirl:

Violette Esmeralda

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